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  1. 13 de ago. de 1996 · World Without Rules joins Paul Haslinger with a stellar lineup of guest musicians, including Mark Isham and Nona Hendryx. World Without Rules takes takes on the new era of trans-global, polyrhythmic, multi-sampled pop music.

  2. Nona Hendryx – vocals on "World Without Rules", "Be-Bop in Baghdad" and "Global Ghetto". Anna Homler – vocals on "Monkey Brain Sushi" and "Rainmaker's Dream". Mark Isham – trumpet and flugelhorn on "Urban Source Code", "Be-Bop in Baghdad" and "Asian Blue". Loren Nerell – gamelan on "Dismissal of the Hemisphere".

  3. World Without Rules joins Paul Haslinger with a stellar lineup of guest musicians, including Mark Isham and Nona Hendryx. World Without Rules takes takes on the new era of trans-global, polyrhythmic, multi-sampled pop music. Paul Haslinger burns the style barriers with an eclectic masterpiece fused from elements of rock, techno, electronic, ...

  4. en.wikipedia.org › wiki › Nona_HendryxNona Hendryx - Wikipedia

    Nona Bernis Hendryx (born October 9, 1944) is an American vocalist, record producer, songwriter, musician, and author. Hendryx is known for her work as a solo artist as well as for being one-third of the trio Labelle, who had a hit with "Lady Marmalade". In 1977, Hendryx released her self-titled debut solo album, a commercial failure that resulted in Hendryx being released from her recording ...

  5. Nona Hendryx (American vocalist, record producer, songwriter, musician, author and actress) recording of: World Without Rules composer: Paul Haslinger (Austrian score composer) publisher: Listening Room Music, Inc. and Space Paradigm

  6. 25 de sept. de 2022 · Today, we revisit a buried treasure, the 1989 experimental new age solo album from the R&B legend, a Black queer epic where technology mediates tenderness. Sheathed in reverb, forged in the heat ...

  7. 6 de abr. de 2021 · Just the really insane people of New York came to the Met,” Hendryx said. “That was the real crux of the Afrofuturism movement.”. Afrofuturism has reemerged, having picked up a name and new meanings. But Hendryx resists the idea of a renaissance in favor of continuity. Afrofuturism has “always been there,” she said.