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Payment Portal. You can now pay for classes using our online payment portal. Your payment information is transmitted using an off-site, secure payment gateway. If you know the amount you owe, you can pay your outstanding balance now. If you are unsure of the amount of your outstanding balance, please contact the studio office.
For more info visit William Esper Studio Inc, or call 212-904-1350. Contact us for more info about our acting school and acting courses in New York. Apply Now 212-904-1350
Upon acceptance to the Full-Time Summer Intensive or Two-Year Program, the William Esper Studio is authorized to issue I-20’s for international applicants to obtain M-1 student visas. All necessary information will be provided by our Student Visa Coordinator. Submit application form. 208 W 37th Street, New York, NY 10018;
"The William Esper Studio is dedicated to the work of Sanford Meisner and William Esper and the proposition that acting is a creative art and true excellence in its practice may only be achieved through total mastery of technical craft." the studio boasts such alumni as Sam Rockwell, ...
AN INTERVIEW WITH WILLIAM ESPER. William Esper has had an acting studio in New York since 1965. For the past eight years he has also headed the MFA and BFA professional actor training programs at the Mason Gross School of the Arts at Rutgers University. A graduate of the Neighborhood Playhouse, where he studied with Sanford Meisner and Martha ...
William Esper worked with Sanford Meisner for 17 years, first as a student and then for 15 years as a teacher and director. Thereafter, he spent the following 25 years as the founding director of one of America’s most important conservatories. His background gave him a particular point of view about Meisner’s work and the part it plays in ...
Acting Technique I (First Year) 1st Year. 6 Hours/Week. The first year utilizes improvisational exercises and written texts to guide the actor to a full realization of self and the building of a truthful acting instrument. The class instills basic principles of good acting, stresses the actor’s connection to their spontaneous impulses and ...
