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Wayne Wang ( traditional Chinese: 王穎; simplified Chinese: 王颖; pinyin: Wáng Yǐng; Jyutping: Wong4 Wing6; born January 12, 1949) is a Hong Kong-American film director, producer, and screenwriter. Considered a pioneer of Asian-American cinema, he was one of the first Chinese-American filmmakers to gain a major foothold in Hollywood.
Wayne Wang (En chino: 王穎); (12 de enero de 1949, Hong Kong) es un director de cine estadounidense de origen chino premiado por festivales tan importantes como el de Cannes y el de San Sebastián y conocido principalmente por películas como Smoke (1995) y Anywhere But Here (En cualquier lugar excepto aquí) (1999).
Wayne Wang. Director: Smoke. Wayne Wang is a key figure in the development of independent filmmaking, alternating major Hollywood studio films such as »The Joy Luck Club« with smaller, independent work like »Smoke«. Continuing to work in the two different worlds, Wang directed an independent digital film, »The Center of the World«, with ...
Wayne Wang (born January 12, 1949, Hong Kong) Hong Kong-born film director, producer, and screenwriter who became one of the first major Asian directors in the United States. He directed both big-budget Hollywood studio motion pictures and low-budget independent films (without the backing of a major studio).
Wayne Wang es un director y guionista nacido en el año 1949 en Hong Kong conocido por Smoke, Sucedió en Manhattan, A cualquier otro lugar, Las últimas vacaciones, Blue in the Face, La caja china, El club de la buena estrella, Mil años de oración, Mientras ellas duermen y Mi mejor amigo
An interview with the filmmaker Wayne Wang, who discusses his 18 films since 1982, including his latest ones "A Thousand Years of Good Prayers" and "Princess of Nebraska". He shares his personal and observant insights on the cultural divide between Chinese-Americans and their roots, the challenges of making mid-length films, and the changes in the film industry.
5 de may. de 2022 · Wayne Wang Still Isn’t Satisfied On the 40th anniversary of his breakthrough drama, “Chan Is Missing,” the auteur says a new generation of Asian American filmmakers must make more ...
