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  1. Wayne Wang (En chino: 王穎); (12 de enero de 1949, Hong Kong) es un director de cine estadounidense de origen chino premiado por festivales tan importantes como el de Cannes y el de San Sebastián y conocido principalmente por películas como Smoke (1995) y Anywhere But Here (En cualquier lugar excepto aquí) (1999).

  2. en.wikipedia.org › wiki › Wayne_WangWayne Wang - Wikipedia

    Wang with Wood Moy, Peter Wang and Marc Hayashi, 1981. Wayne Wang (traditional Chinese: 王穎; simplified Chinese: 王颖; pinyin: Wáng Yǐng; Jyutping: Wong4 Wing6; born January 12, 1949) is a Hong Kong-American film director, producer, and screenwriter.

  3. www.imdb.com › name › nm0911061Wayne Wang - IMDb

    Wayne Wang. Director: Smoke. Wayne Wang is a key figure in the development of independent filmmaking, alternating major Hollywood studio films such as »The Joy Luck Club« with smaller, independent work like »Smoke«. Continuing to work in the two different worlds, Wang directed an independent digital film, »The Center of the World«, with ...

  4. Wayne Wang (born January 12, 1949, Hong Kong) Hong Kong-born film director, producer, and screenwriter who became one of the first major Asian directors in the United States. He directed both big-budget Hollywood studio motion pictures and low-budget independent films (without the backing of a major studio).

  5. Wayne Wang es un director y guionista nacido en el año 1949 en Hong Kong conocido por Smoke, Sucedió en Manhattan, A cualquier otro lugar, Las últimas vacaciones, Blue in the Face, La caja china, El club de la buena estrella, Mil años de oración, Mientras ellas duermen y Mi mejor amigo

  6. Descubre todas las noticias de Wayne Wang, su biografía, su filmografía completa, su actualidad. Descubre también todas las fotos y videos de Wayne Wang.

  7. 31 de oct. de 2023 · Looking for Loneliness: Wayne Wang on His Career. Walter Chaw October 31, 2023. Tweet. Wayne Wang is a poet of longing. Attempts to categorize him, to identify auteurist hallmarks in his films, seem to neglect that aspect of desire in his pictures; not a desire for sex, though there is sex in his films, but for connection.