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  1. Reason #1 - Phil doesn't want to tour the same way that Bobby and the other core 4 do. Reason #2 - Phil and others close to him have alienated the remaining GD members, primarily around financial matters. Reason #3 - The 2015 "Fare Thee Well" was designed (and contracted) to be an exclusive 1-time event.

  2. en.wikipedia.org › wiki › Phil_LeshPhil Lesh - Wikipedia

    Phil Lesh and Friends. Formerly of. Grateful Dead. The Other Ones. The Dead. Furthur. Website. www .phillesh .net. Philip Chapman Lesh (born March 15, 1940) [1] is an American musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career.

  3. Phil Lesh - bass Andy McMahon - vocals Tracy Nelson - vocals Andy Statman - saxophone Someone Else's Blues; David Bromberg - Acoustic guitar and vocals Peter Ecklund - mellophone Jerry Garcia - electric guitar Keith Godchaux - piano Bill Kreutzmann - drums Phil Lesh - bass John Payne - bass clarinet, flute Andy Statman - saxophone

  4. Official Site. One of the strongest intellects and most extraordinary musical talents in rock history, Phil Lesh re-defined what the bass could sound like, and in so doing heavily influenced what the Dead sounded like.

  5. The title Wanted Dead or Alive is a play on words, referring to how the record was created. Side one of the LP was recorded in the studio with various musicians, including four members of the Grateful Dead − Jerry Garcia, Phil Lesh, Keith Godchaux and Bill Kreutzmann. Side two was recorded live.

  6. The musicians on the songs "Sharon" and "Demon in Disguise" include five members of the Grateful Dead — Jerry Garcia, Phil Lesh, Bill Kreutzmann, Keith Godchaux, and Donna Jean Godchaux. "Sharon" was sampled by the Beastie Boys for the song "Johnny Ryall" on their album Paul's Boutique.

  7. 15 de ene. de 2015 · Not the iconic Phillip Chapman Lesh, renowned for his long, strange, watershed trip anchoring the defiantly wayward Grateful Dead. On the Dead’s exploratory forays, Lesh often started “outside” and kept going – yet you could still decipher the essence of the song within his improvisations and motifs.