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Walter De Maria (eigentlich Walter Joseph De Maria; * 1. Oktober 1935 in Albany, Kalifornien; † 25. Juli 2013 in Los Angeles) war ein US-amerikanischer Künstler, ein wichtiger Vertreter des Minimalismus, der Konzeptkunst und der Land Art Leben Vertikaler Erdkilometer Ein Kind ...
26 de oct. de 2022 · Walter De Maria, Truth / Beauty, 1990–2016, solid stainless steel and granite, 14 sculptures in 7 sets, each sculpture: 7 ½ × 42 ⅛ × 42 ⅛ inches (19 × 107 × 107 cm). Installation view, Walter De Maria, Gagosian, Britannia Street, London, May 26–July 30, 2016. Photo: Mike Bruce. KVW Larry Gagosian began working with Walter in 1989 ...
22 de abr. de 2019 · As one of the founding fathers of the 1960s land art movement, Walter De Maria is renowned for his monumental installations dealing with matters of time and space on a grand scale. Despite his reputation as one of the greats, Walter De Maria was a notoriously private man. A reserved individual, he steadfastly avoided interviews and gallery ...
13 de feb. de 2023 · Walter De Maria fue uno de los precursores del land art estadounidense en la década del 60′. Radicado en Nueva York, el artista se caracterizó por su estilo minimalista y conceptual en pinturas, esculturas y obras que representaron un aporte fundamental para el crecimiento del arte paisajista en Norteamérica. En Paisajismo Digital repasamos lo más destacado del land art de Walter De ...
25 de jul. de 2013 · Walter Joseph De Maria (October 1, 1935 – July 25, 2013) was an American artist, sculptor, illustrator and composer, who lived and worked in New York City. Walter de Maria's artistic practice is connected with Minimal art, Conceptual art, and Land art of the 1960s. LACMA director Michael Govan said that "I think he's one of the greatest ...
Walter de Maria was an American artist who played a key role in both Minimalism and Land Art. Interested in conveying phenomenological experiences such as time, geology, and weather, De Maria often employed elemental materials such as dirt or steel, as seen in his work The Lightning Field (1977). “I like natural disasters and I think that they may be the highest form of art possible to ...
The Invisible, isolation, and the sublime. When he announced The Lightning Field in the April 1980 issue of Artforum De Maria explained, “The invisible is real” and “Isolation is the essence of land art.”. These are the statements that preoccupied us as we explored this work of art.
