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Wall of sound (en español, muro de sonido; también llamado Spector sound) 1 2 es una fórmula de producción para las grabaciones de pop y rock desarrollada por el productor musical estadounidense Phil Spector a principios de la década de 1960 en los estudios Gold Star en Los Ángeles, California. Trabajando con ingenieros de sonido como ...
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew".
23 de feb. de 2022 · Técnica wall of sound en la producción musical. Para entender la técnica del muro de sonido es necesario entender cuáles son sus elementos básicos, la combinación de sonidos y cómo lograron la reverberación con unidades de efecto, entre otros plugin del wall of sound.
abr 2021. Wall of Sound también llamado Spector Sound o pared del sonido es una fórmula de producción para las grabaciones de pop y rock desarrollada por el productor musical estadounidense Phil Spector a principios de la década de 1960 en los estudios Gold Star en Los Ángeles, California.
Spector developed the Wall of Sound, a production style that is characterized for its diffusion of tone colors and dense orchestral sound, which he described as a "Wagnerian" approach to rock and roll. He is widely regarded as one of the most influential figures in pop music history and one of the most successful producers of the 1960s.
5 de abr. de 2018 · The Wall of Sound is a music production technique for pop and rock music recordings developed by record producer Phil Spector at Gold Star Studios during the 1960s. Spector, working with audio engineers such as Larry Levine, created a dense, layered, and reverberant sound that reproduced well on AM radio and jukeboxes popular in the era.
The Wall of Sound is the name some people gave to a super powerful, extremely accurate PA system that I designed and supervised the building of in 1973 for the Grateful Dead. It was a massive wall of speaker arrays set behind the musicians, which they themselves controlled without a front of house mixer.
