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  1. It marked not only his turn to a modern sound and use of synthesizers (particularly on the opening track), but also, after the harmonies and backing vocals from Jennifer Warnes on the previous Recent Songs (1979), an even greater contribution from Warnes, who is credited equally to Cohen as vocalist on all of the tracks.

  2. At the time, the album brought back New Skin from the Old Ceremony producer John Lissauer to the Cohen fold, and together—with Jennifer Warnes billed as a co-vocalist on the tracks—the trio went about assembling a “modern” Leonard Cohen album that embraced the current sounds of synthesizers and stronger backbeats.

  3. She toured Europe with Cohen's band in 1972 and 1979 — first as a back-up singer and then as a vocal arranger and guest singer on Cohen's albums Live Songs (1973), Recent Songs (1979), Various Positions (1985), I'm Your Man (1988), The Future (1992), Field Commander Cohen: Tour of 1979 (2001), and Old Ideas (2012).

  4. 25 de abr. de 2024 · “Dance me to your beauty with a burning violin,” Leonard Cohen sings on the opening song to Various Positions. An album filled with the sharp corners of both tragedy and beauty, Various Positions is Cohen smashing the walls of a breakthrough, one filled with eloquence and unity as Jennifer Warnes dances in the teasing embers of ...

  5. Recorded with vocalist Jennifer Warnes (who later cut the album Famous Blue Raincoat, a collection of Leonard Cohen compositions), Various Positions is a stunning return to form -- Cohen's strongest work since New Skin for the Old Ceremony. Cryptic and spartan, the set continues in the eclectic vein of recent efforts, but with greater clarity ...

  6. Various Positions is the seventh studio album by Leonard Cohen, released in December 1984. It marked not only his turn to a modern sound and use of synthesizers, but also, after the harmonies...

  7. 1 de dic. de 1984 · Various Positions - Album by Leonard Cohen - Apple Music. Leonard Cohen. POP · 1984. Preview. Jennifer Warnes is Cohen's vocal sidekick on this beautifully produced and typically ruminative album—initially rejected by his record label—that attempted to contemporise him with occasional Casio beats and a country tinge.