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  1. Photo courtesy Mitch Easter. When “Southern rock” became synonymous with jangly power-pop instead of Skynyrd and the Allman Brothers, Mitch Easter was a pivotal figure. The Winston-Salem native formed the band Let’s Active in 1981, the same year he produced R.E.M.’s debut single at his aptly named garage studio, Drive-In.

  2. 3 de jun. de 2021 · Tell us about the guitar sounds… “Peter [Buck] played all the guitars. I think he had a [Fender] Twin Reverb then. He used those for a long time. In the session, he played an electric 12-string, but not a Rickenbacker. It was a Fender Electric XII. I didn’t have a lot of recording equipment, but I did have a good guitar and amp selection.

  3. en.wikipedia.org › wiki › Mitch_EasterMitch Easter - Wikipedia

    Mitchell Blake Easter (born November 15, 1954) is a musician, songwriter, and record producer. Frequently associated with the jangle pop style of guitar music, he is known as producer of R.E.M. 's early albums from 1981 through 1984, and as frontman of the 1980s band Let's Active .

  4. View credits, reviews, tracks and shop for the 1988 CD release of "Used Guitars" on Discogs.

  5. en.wikipedia.org › wiki › Used_GuitarsUsed Guitars - Wikipedia

    Production. Recorded over five weeks in Charlotte, North Carolina, the album was produced by Don Dixon. Jones described Used Guitars as a concept album about women discussing the nature of love. Marshall Crenshaw, the Uptown Horns, and Mitch Easter contributed to the album.. Jones and Dixon cowrote three of the album's songs. Janis Ian wrote two songs. "

  6. 9 de feb. de 2022 · Mitch Easter. Was Peter experimenting with different guitars on Reckoning? He had his own Rickenbacker 12-string at that point. On Reckoning, you hear that, but you also still hear my Fender Electric XII. Of course, the dark secret of Reckoning is that we also used a Scholz Rockman. I love those things.

  7. While the vocals remain typically indistinct, the jangling guitars sound brighter and the punchier bass carries much of the melody, the introspective, evocative mood and folk‑rock feel of Murmur are perfectly encapsulated by the slower, cleaner, IRS‑commissioned remake of 'Radio Free Europe', with its strange opening created by Mitch Easter triggering a purposely stored, errant system hum ...