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  1. Boustrophedon is a live album by free jazz saxophonist and composer Evan Parker and the Transatlantic Art Ensemble, featuring Roscoe Mitchell, recorded in Germany in September 2004 and released on ECM in 2008.

  2. 12 de feb. de 2008 · Ensemble – The Transatlantic Art Ensemble* Flute – Neil Metcalfe; Illustration [Cover Image] – Max Franosch; Liner Notes – Steve Lake (2) Photography By – Caroline Forbes; Piano – Craig Taborn; Producer – Steve Lake (2) Recorded By – Manfred Eicher, Stefano Amerio; Soprano Saxophone, Music By – Evan Parker; Trumpet ...

  3. 4 de jun. de 2008 · Saxophonist Evan Parker's marvelous and moving Boustrophedon is a companion piece to saxophonist Roscoe Mitchell's Composition/Improvisation Nos. 1, 2 & 3 (ECM, 2007), recorded live in Munich the night before Mitchell's suite and using the same musicians, The Transatlantic Art Ensemble.

  4. The Transatlantic Art Ensemble can also be heard on the Parker album Boustrophedon, which was recorded as part of the same symposium, and which serves as a companion to Mitchell's album. [3] The album presents nine scenes from Mitchell's "Composition/Improvisation Nos. 1, 2 & 3": Parts I, II, V, VI, VII, and IX were derived from ...

  5. ecmrecords.com › product › boustrophedon-evan-parker-the-transatlantic-art-ensembleBoustrophedon - ECM Records

    Recorded live in Munich, Evan Parker’s “Boustrophedon” is the companion volume to Roscoe Mitchell’s highly-acclaimed “Composition/Improvisation Nos. 1, 2 & 3” and features an identical line-up, the Transatlantic Art Ensemble assembled by the two great saxophonists.

  6. 4 de may. de 2008 · The Transatlantic Art Ensemble is an orchestra created by Roscoe Mitchell and Evan Parker. Its first production was released on ECM as Roscoe Mitchell's "Composition/Improvisation N° 1, 2 & 3". I listened to it several times and put it away, exhausted and disappointed.

  7. 3 de jun. de 2008 · The players chosen for the Transatlantic Art Ensemble needed to be comfortable with reading precisely scored music, suggestively scored music and, of course, improvisation. This group of players were chosen by Mitchell and saxophonist Evan Parker from both sides of the Atlantic.