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1 de may. de 2024 · Todd Strauss-Schulson. Cast. Taissa Farmiga. Malin Akerman. Adam Devine. Thomas Middleditch. A young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom’s most famous movie. Reunited, the women must fight off the film’s maniacal killer.
14 de abr. de 2024 · Rayman Raving Rabbids is a 2006 party video game developed and published by Ubisoft. The story follows the limbless Rayman as he's interrupted by an earthqua...
21 de abr. de 2024 · Directed by Todd Strauss-Schulson . Another film on the list that mocks its own genre, The Final Girls is a lighthearted horror that keeps you hoping for more. Max, the movie’s main protagonist, is the daughter of a famous 80s scream queen with whom she had a rough relationship.
30 de abr. de 2024 · True this may lack the original smarts and wit of Todd Strauss-Schulson's 2015 under-seen classic The Final Girls when it comes to its adoring throwbacks and warm send up/embracement of this genre, but this is still a hell of a lot of fun, as it develops its witchcraft story, as told in this chapter, through this late 70s-come-80s distinctive booming horror era lens.
1 de may. de 2024 · Todd Solondz (born 1959), US; Barry Sonnenfeld (born 1953), US; Aaron Sorkin (born 1961), US; Steven Spielberg (born 1946), US; Nicole Stéphane (born 1923), France; Ben Stiller (born 1965), US; Todd Strauss-Schulson (born 1980), US; Barbra Streisand (born 1942), US; Steve Suissa (born 1970), France
4 de may. de 2024 · Film de Todd Strauss-Schulson · 1 h 30 min · 13 mai 2012 (France) Genre : Comédie. Groupe : Harold et Kumar. Pays d'origine : États-Unis. Fiche technique. Six ans ont passé depuis que Kumar et Harold ont fui Guantanamo Bay et les deux amis ont vécus séparés tout ce temps.
15 de abr. de 2024 · (If you haven’t already, please be sure to check out Filmmaker Reflections - The 2000s: Vol. 1 for a series explanation and to read the first batch of reflections.) Filmmaker Reflections - The 2000s: Vol. 5 The state of American independent filmmaking has become like the cereal aisle at Whol
