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  1. en.wikipedia.org › wiki › Doug_WimbishDoug Wimbish - Wikipedia

    Douglas Arthur Wimbish (born September 22, 1956) is an American bassist, primarily known for being a member of rock band Living Colour and funk/dub/hip hop collective Tackhead, and as a session musician with artists such as Sugarhill Gang, [1] Grandmaster Flash and the Furious Five, The Rolling Stones, Mick Jagger, Depeche Mode, James Brown, Ann...

  2. Doug Wimbish (nacido el 22 de septiembre de 1956) es un bajista conocido por su trabajo para el sello de hip hop Sugar Hill Records y por su trabajo con la banda Living Colour.

  3. Doug recorded on Joe Satriani’s 5th studio album, “Time Machine”, released in 1993 and certified Gold in October 1994. Wimbish also recorded on Billy Idol’s “Cyberpunk” (1993) and with Ronnie Wood, Barrington Levy and Naomi Campbell.

  4. From pioneering work with the All Platinum & Sugar Hill Record labels, to the groundbreaking Tackhead & Living Colour, to legends including The Rolling Stones, Madonna, Seal & Annie Lennox, Doug Wimbish truly defines the term “Journeyman”. In a professional career spanning almost 50 year.

  5. 2 de dic. de 2020 · Bass Player. Doug Wimbish looks back at 5 of his best – and worst – bass sessions. By Bass Player Staff. ( Bass Player ) published 2 December 2020. From an inspired collaboration with Annie Lennox to a sliding doors moment with the Stones... Wimbish playing with Living Colour circa '93(Image credit: Paul Bergen/Redferns)

  6. Quién es Doug Wimbish? “No soy SOLO un bajista, soy un sistema de sonido…” Esta frase nos recibe al entrar en la web oficial de este genial bajista y nada más acertado para definir a este talentoso y multifacético músico que comanda las bases de, nada menos que, Living Colour.

  7. Time Machine is the fifth studio album by guitarist Joe Satriani, released on October 13, 1993 through Relativity Records and reissued in 1998 through Epic Records. It is a double-disc compilation: the first disc contains a selection of new tracks, outtakes and unreleased studio recordings, while the second disc is composed of live recordings from