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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
19 de abr. de 2024 · Last Supper, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1495 and 1498. It was commissioned by Ludovico Sforza for the Dominican monastery Santa Maria delle Grazie in Milan. Learn more about the painting’s history, subject, technique, and restoration.
La última cena (en italiano: Il cenacolo o L’ultima cena) es una pintura mural original de Leonardo da Vinci ejecutada entre 1495 y 1498. 1 2 Se encuentra en la pared sobre la que se pintó originalmente, en el refectorio del convento dominico de Santa Maria delle Grazie, en Milán ( Italia ), 3 declarado Patrimonio de la Humanidad por la Un...
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. The Last Supper is commemorated by Christians especially on Holy Thursday. The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper".
Leonardo’s Last Supper (1495–98) is among the most famous paintings in the world. In its monumental simplicity, the composition of the scene is masterful; the power of its effect comes from the striking contrast in the attitudes of the 12 disciples as counterposed to Christ.
Uno de los más importantes pintores del renacimiento español, dominador absoluto del panorama valenciano a mediados del siglo XVI. La autoría de algunas de sus obras está todavía en discusión, adjudicándoselas a su padre, el pintor Juan Vicente Masip que, activo ya en 1493, fue, sin duda, uno de los ... Fuente: Museo Nacional del Prado.
Learn about the subject, symbolism, and history of Leonardo da Vinci's famous fresco depicting Christ's final meal with his apostles. Explore the contrast between the earthly and heavenly realms, the use of geometry and perspective, and the restoration of the painting after World War II.
