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Sylvie and the Ghost (French: Sylvie et le fantôme) is a 1946 French fantasy/comedy film directed by Claude Autant-Lara and starring Odette Joyeux, François Périer and Pierre Larquey. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art directors Jacques Krauss and Lucien Carré.
Edit page. Sylvie et le fantôme: Directed by Claude Autant-Lara. With Odette Joyeux, François Périer, Pierre Larquey, Claude Marcy. On the eve of her 16th birthday, Sylvie's father needs cash to stay in his castle so he sells Sylvie's favorite thing, a painting of Alain, the lover of Sylvie's grandmother, killed in a duel.
Sylvie’s father hires three actors to impersonate the ghost of her beloved, while the spirit himself (Jacques Tati, in his first feature-film role) stalks the grounds. Marrying a playful script, artful special effects, and wistful performances, Sylvie et le fantôme stages a delicate dance of enchantment.
Sylvia and the Ghost es una película estrenada en el año 1946 dirigida por Claude Autant-Lara . Está protagonizada por Odette Joyeux, François Périer, Pierre Larquey...A teenager becomes fixated on a painting of the handsome suitor who died in a duel for her grandmother's love.
20 de dic. de 2021 · Fascinated by a portrait of the lover of her deceased grandmother, Sylvia fantasizes about having a romance with the lover’s ghost. On Sylvia’s 16th birthday, her father decides to amuse the girl by having the “ghost” make an appearance, and to that end engages the services of three men–a valet, a ham actor and a burglar–to impersonate the wraith.
Sylvie and the Ghost is a 1946 French fantasy/comedy film directed by Claude Autant-Lara and starring Odette Joyeux, François Périer and Pierre Larquey. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art directors Jacques Krauss and Lucien Carré.
Sylvie et le fantôme (1946) Directed by Claude Autant-Lara. Comedy / Romance / Fantasy. Film Review. W ith Sylvie et le fantôme , director Claude Autant-Lara takes the classic coming-of-age concept and gives it a fresh and totally bizarre spin, the result being one of his weirdest and most beguiling films.