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  1. 25 de abr. de 2024 · The ballet, originally known as “Tzigane” after its score by Maurice Ravel, was revived this season with a staging by Suzanne Farrell and a new name, “Errante,” or wandering.

  2. 28 de abr. de 2024 · The ballet, originally known as “Tzigane” after its score by Maurice Ravel, was revived this season with a staging by Suzanne Farrell and a new name, “Errante,” or wandering. Created for the company’s 1975 Ravel Festival, it was the first ballet George Balanchine choreographed for Farrell upon her return to City Ballet ...

  3. 24 de abr. de 2024 · Suzanne Farrell, who originated it, set the ballet; if NYCB’s future includes more invitations to former dancers, then it should be bright. Nadon, a tall, gorgeous, leggy dancer, looked completely confident as the fierce, wild, occasionally sullen wanderer (I guess we can’t say gypsy), bending and turning with sudden bursts of ...

  4. 25 de abr. de 2024 · The most intriguing item on this quadruple bill, and the least like any other, was Errante, made in 1975 for Suzanne Farrell upon her return to the company after years in exile after a bitter falling-out with Balanchine. (For more on that story, see Farrells memoir Holding on to the Air, or Jennifer Homans’s more recent Mr. B.)

  5. 25 de abr. de 2024 · Commercial television would hold out for years before it aired a performance of Mitchell partnering a white woman, but in 1968, he and Suzanne Farrell danced a pas de deux from Balanchine’s “Slaughter on Tenth Avenue” on The Johnny Carson Show. “And in living color, darling!” he cheekily told a reporter afterwards.

  6. 25 de abr. de 2024 · Suzanne Farrell danced with the New York City Ballet from 1961-1969 and 1974-1989, originated 23 roles in Balanchine ballets, and received numerous awards including a 2005 Kennedy Center Honors.

  7. 7 de may. de 2024 · Live Performance. BUY TICKETS. Studio Three. Mozartiana Choreography by George Balanchine Music by Peter Ilyich Tchaikovsky. A World Premiere by Ma Cong. Mozartiana is George Balanchine’s final masterpiece that many believe was done as a farewell to his beloved ballerina Suzanne Farrell.