Resultado de búsqueda
Hace 6 días · Igor Stravinsky’s father, Fyodor, was one of the leading Russian operatic basses of his day, and Igor’s mother, Anna, was a talented pianist. Igor married his cousin Catherine Nossenko and had four children. In 1940, after the deaths of his eldest daughter (1938), his wife (1939), and his mother (1939), he married Vera de Bosset.
Hace 5 días · On May 16 and May 18 he will lead the orchestra in two pieces: the world premiere of Jonathan Leshnoff’s oratorio The Sacrifice of Isaac, followed by a work that has become strongly associated with Spano in Atlanta — Igor Stravinsky’s brutal masterwork, The Rite of Spring. (Below: Stravinsky conducting.) Embed from Getty Images
Hace 3 días · I thoroughly enjoyed visiting the recently-concluded ‘In/Of Goa: Souza at 100’ an exhibition of the artworks of the celebrated Goan artist Francis Newton Souza (1924-2002) on the occasion of his birth centenary at Sunaparanta Goa Centre for the Arts. The exhibition aimed “to shed light on the profound influence of Goa, Souza’s birthplace, on his artistic journey” and it succeeded ...
10 de may. de 2024 · The clearest evidence of influence in this direction is the borrowing in the opening measures of Stravinsky's Le rossignol, which is a nearquotation of the opening of Debussy's “Nuages” (Clouds) from the Trois nocturnes (examples 1.1a and 1.1b).
10 de may. de 2024 · Stravinsky’s Waning Influence: 1914–1917; Mark McFarland, Georgia State University; Book: The Musical Relationship between Claude Debussy and Igor Stravinsky; Online publication: 10 May 2024; Chapter DOI: https://doi.org/10.1017/9781805433026.007
Hace 6 días · Igor Stravinsky, with Vaslav Nijinsky in costume for the former’s 1911 ballet Petrushka. During the two scenes at the fairground, five Russian folk song melodies are played sentimentally on the cornet, flutes, and harps.
10 de may. de 2024 · In addition to the whole-tone and octatonic scales, Debussy also used the chromatic scale in opposition with diatonic writing in his works from 1912–13. This use of the chromatic set becomes obvious in “Feux d’artifice,” where the complete chromatic is heard at the climax of the prelude as ...
