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Sophie Fiennes (born 12 February 1967) is an English filmmaker best known for her films Grace Jones: Bloodlight and Bami (2017) and Over Your Cities Grass Will Grow (2010), as well as for her collaborations with philosopher Slavoj Žižek: The Pervert’s Guide to Cinema (2006), and The Pervert’s Guide to Ideology (2013).. Fiennes’ formally inventive approach often combines observational ...
Sophie Fiennes. Director: Grace Jones: Bloodlight and Bami. Sophie Fiennes was born on 12 February 1967 in Ipswich, Suffolk, England, UK. She is a director and producer, known for Grace Jones: Bloodlight and Bami (2017), Over Your Cities Grass Will Grow (2010) and The Pervert's Guide to Ideology (2012).
9 de feb. de 2023 · Four Quartets: Directed by Sophie Fiennes. With Ralph Fiennes. In the shadow of the Second World War, performance of a poem is a searching examination of who and what - we are. A journey into the imagination, bound by experience, memory and time.
Cuatro cuartetos es una película dirigida por Sophie Fiennes con Ralph Fiennes. Año: 2022. Título original: TS Eliot's Four Quartets. Sinopsis: A la sombra de la Segunda Guerra Mundial, esta interpretación del poema es un examen inquisitivo de quiénes y qué somos. Un viaje por la imaginación, marcado por la experiencia, la memoria y el tiempo.Puedes ver Cuatro cuartetos mediante ...
Sophie Fiennes. Director: Grace Jones: Bloodlight and Bami. Sophie Fiennes was born on 12 February 1967 in Ipswich, Suffolk, England, UK. She is a director and editor, known for Grace Jones: Bloodlight and Bami (2017), Over Your Cities Grass Will Grow (2010) and The Pervert's Guide to Ideology (2012).
25 de abr. de 2023 · Sophie Fiennes with Anne-Katrin Titze on T.S. Eliot’s Four Quartets: “I possibly wouldn’t have been as interested in becoming a filmmaker if I hadn’t had become acquainted with that poem at a very early age.”. Within days of speaking with Sophie, by chance every film I happened to watch contained a quote from the Nobel Prize-winning poet.
24 de abr. de 2023 · Sophie Fiennes said audiences are losing out because the sector is now suffering from an “absolute lack of resources” and commissioners who are wary of taking risks.
