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  1. Soft Self-Portrait with Grilled Bacon. A spectre full of irony, where an amorphous, soft face appears, supported by crutches, which Dalí considered his self-portrait, with a pedestal that bears the inscription of the title of the work and, above, a slice of fried bacon, a symbol of organic matter and of the everyday nature of his breakfasts in ...

  2. Soft Self-Portrait with Fried Bacon, 1941 by Salvador Dali. A specter full of irony, where an amorphous, soft face appears, supported by crutches, which Dali considered his self-portrait, with a pedestal that bears the inscription of the title of the work and, above, a slice of fried bacon, a symbol of organic matter and of the everyday nature ...

  3. Soft Self-Portrait of Salvador Dali: Directed by Jean-Christophe Averty. With Gala Dalí, Donyale Luna, Tony Kina, Suzan Lancaster. A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

  4. 7 de dic. de 2016 · Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Soft Self-Portrait with Fried Bacon’ was created in 1941 by Salvador Dali in Surrealism style.

  5. 10 de mar. de 2019 · Dimensions: 61 x 51 cm. Signature: Signed and dated lower right corner: Gala Salvador Dali / 1941. Inscriptions: Inscribed lower center left: SOFT SELF PORTRAIT. Location: Town Hall of Figueres, on permanent deposit at the Fundació Gala-Salvador Dalí, Figueres. Provenance.

  6. Espectro lleno de ironía, en el que aparece un rostro amorfo, blando, sujeto por muletas, que Dalí considera su autorretrato, con un pedestal que lleva inscrito el título de la obra, y, encima, un trozo de panceta frita, símbolo de la materia orgánica y de lo cotidiano en los desayunos del artista en el hotel Saint Regis de Nueva York.

  7. In 1970, the French direc­tor Jean-Christophe Aver­ty trav­eled to Spain, to the lit­tle sea­side vil­lage of Portl­li­gat, where he shot a 52 minute doc­u­men­tary called A Soft Self-Por­trait of Sal­vador Dali. Orson Welles nar­rates the film and lay­ers in some tra­di­tion­al bio­graph­i­cal ele­ments.