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  1. Shadows and Light [Video/DVD] by Joni Mitchell released in 1980. Find album reviews, ... Shadows and Light [Video/DVD] by Joni Mitchell released in 1980. Find album reviews, track lists, credits, awards and more at AllMusic. New Releases. Discover. Genres Moods Themes. Blues Classical Country. Electronic Folk International. Pop/Rock Rap R&B ...

  2. October 24, 1980. Electric keyboard lines slowly rise in harmonic layers through spatterings of applause, then Joni Mitchell's silken soprano coos, "Every picture has its shadows/And it has some source of light." The Persuasions chime in, "Blindness, blindness and sight." Applause bursts forward then quickly fades as an eerie keyboard pattern ...

  3. Joni Mitchell - Black Crow. 3:53. Joni Mitchell - Why Do Fools Fall In Love (Shadows And Light 1979) [Remastered] 3:42. View credits, reviews, tracks and shop for the CD release of "Shadows And Light" on Discogs.

  4. The four piece group Shadows and Light are bringing their captivating show on the iconic singer – songwriter Joni Mitchell to theatres around Ireland. Their stunning interpretations of her music are played by vocalist Maura Vambeck, Dave Mulligan on guitar, Paul Enright on keyboard and Dave McCune on percussion.. The show features songs from the huge Joni repertoire, including classics from ...

  5. 2 de sept. de 2009 · Shadows and light (live) - Joni Mitchell

  6. Joni Mitchell - Shadows and Light/Amelia - Live 1980. 0:00; Jaco Pastorius Solo (Joni Mitchell) 4:05; Joni Mitchell - Free Man in Paris. 3:22; Joni Mitchell - Black Crow. 3:53; Joni Mitchell - Why Do Fools Fall In Love (Shadows And Light 1979) [Remastered] 3:42; Lists Add to List. Clive's Vinyl LPs by nojiveclive;

  7. 'Shadows and Light' es el segundo álbum en vivo de Joni Mitchell, y sirve como retrospectiva de su período jazz desde 1975 hasta 1979. Como era de esperar, reúne un grupo de músicos estelares que incluye a Pat Metheny (guitarra), Jaco Pastorius (bajo), Lyle Mays (teclados), y Michael Brecker (saxofón) y que dan a estas composiciones más energía que en las grabaciones de estudio.