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  1. (1978) Steve Hackett – Please Don't Touch (1980) Kerry Livgren – Seeds of Change (1983) Paul Barrére – On My Own Two Feet (1990) Blonz – Blonz (1993) Jeff Watson – Around the Sun (2000) Vince DiCola – In-Vince-ible! (2000) Christmas Collection with Father Rodgers – Remember the One (2001) Seventh Key – Seventh Key

  2. Seeds of Change is Kerry Livgren 's first solo album. Released in 1980 while he still was a member of Kansas, it features guest appearances by three fellow Kansas members: Steve Walsh, Phil Ehart and Robby Steinhardt. Singer Ronnie James Dio and members of LeRoux, Jethro Tull, Ambrosia, and Atlanta Rhythm Section are also featured.

  3. Steve Hackett - Please Don't Touch - 1978; Kerry Livgren - Seeds of Change - 1980; Dixie Dregs - Industry Standard - 1982; Paul Barrére - On My Own Two Feet - 1983; Blonz - Blonz - 1990; Jeff Watson - Around the Sun - 1993; Vince DiCola - In-Vince-ible! - 2000; Christmas Collection with Father Rodgers - Remember the One - 2000 ...

  4. Guitarist Livgren released Seeds Of Change, while vocalist/keyboardist Walsh recorded the less rapturously received Schemer-Dreamer, which had contributions from various Kansas alumni plus a guitarist called Steve Morse, more of whom later.

  5. Seeds Of Change features several different singers including one of my favourite vocalists of all time in Ronnie James Dio on two songs. Some Kansas members are also present with Steve Walsh doing lead vocals on one song and Phil Ehart and Robbie Steinhardt both appearing on Ground Zero (this was many years before 9/11).

  6. Seeds of Change is Kerry Livgren's first solo album. Released in 1980 while he still was a member of Kansas. It features guest appearances by three fellow Kansas members: Steve Walsh, Phil Ehart and Robby Steinhardt. Singer Ronnie James Dio and members of LeRoux, Jethro Tull and Ambrosia are...

  7. 19 de mar. de 2014 · Elsewhere Kansas bandmate Steve Walsh lends his voice to the feelgood How Can You Live, while Ambrosia’s David Pack sings – and excels himself – on Ground Zero, the melodramatic closer and perhaps most prog-friendly track here.