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  1. Scary Monsters (and Super Creeps), also known simply as Scary Monsters, [a] is the 14th studio album by the English musician David Bowie, released on 12 September 1980 through RCA Records.

  2. 2 de sept. de 2020 · By Bill DeMain. ( Classic Rock ) published 2 September 2020. After the minimalism of his ‘Berlin trilogy’, David Bowie went all out for a kitchen-sink art-rock album on Scary Monsters. (Image credit: L. Cohen / Getty Images) By the end of the 1970s, Major Tom had been ‘sitting in a tin can’ for 10 years, his circuits all but dead.

  3. Scary Monsters, que acaba de cumplir cuarenta años, fue pensado como la nueva reencarnación de un artista camaleónico que había saboreado la gloria interpretando un personaje inolvidable, Ziggy Stardust, y ahora, virtualmente repuesto de una ola de excesos narcóticos con Iggy Pop como compinche y con una banda consolidada -Carlos Alomar en guita...

  4. 7 de sept. de 2021 · Scary Monsters (And Super Creeps) was an album of contradictions, raw emotions and glossy surfaces, grinding noise and slick production; glancing backwards, yet propelling Bowie into the 80s. It had the air of a cumulative work – supremely confident, but plagued with self-doubt.

  5. Scary Monsters (and Super Creeps) es el decimocuarto álbum de David Bowie, lanzado en septiembre de 1980 por RCA Records. Fue el último álbum de estudio de Bowie para esta discográfica y el primero después de la Berlin Trilogy ( Low, “Heroes” y Lodger ).

  6. 11 de ene. de 2017 · Released: 12 September 1980 (UK), 15 September 1980 (US) Personnel. David Bowie: vocals, keyboards. Carlos Alomar, Robert Fripp, Chuck Hammer, Pete Townshend: guitar. George Murray: bass guitar. Roy Bittan: piano. Dennis Davis: drums, percussion. Andy Clark: synthesizer. Tony Visconti: backing vocals, acoustic guitar, percussion.

  7. 5 de sept. de 2023 · Only Alomar would remain after Scary Monsters. Guitarist Adrian Belew, who featured on Lodger and was the source of a feud between Bowie and Frank Zappa due to the former poaching him, claimed to Bowie biographer David Buckley that he received an advance to play on the sessions.