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Cinematographer Russell Metty, a superb craftsman who worked with such top directors as John Huston, Stanley Kubrick, Steven Spielberg and Orson Welles, was born in Los Angeles on Septmeber 20, 1906.Entering the movie industry as a lab assistant, he apprenticed as an assistant cameraman and graduated to lighting cameraman at RKO Radio Pictures in 1935.
A gonosz érintése (Touch of Evil) 1958-ban bemutatott bűnügyi filmdráma. Orson Welles alkotását tekintik a klasszikus film noir korszak utolsó darabjának. A forgatókönyvet Whit Masterson Badge of Evil című regénye alapján maga Welles írta, aki az egyik főszereplő megformálója is egyben. A további szerepekben Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff ...
15 de jul. de 2021 · Born September 20, 1906, in Los Angeles, California, Russell Metty first worked in the film industry as a lab technician, becoming an apprentice cameraman for Paramount in 1929. He then became a lighting cameraman at RKO. His first credit as cinematographer was for 1934’s West of the Pecos. Metty’s first major film of note as […]
16 de dic. de 2017 · Russell Metty, ASC. Directed by Stanley Kubrick and photographed by Russell Metty, ASC, the historical epic Spartacus (1960) was one of the most expensive films produced in Hollywood at that time, with a budget exceeding $12 million. ($100 million in adjusted U.S. dollars.) Starring Kirk Douglas, Tony Curtis, Jean Simmons, Woody Strode, Peter ...
Russell Metty was an American cinematographer who worked on over 100 films during his career. He is best known for his work on the classic films Spartacus (1960) and Touch of Evil (1958). Metty was born in Los Angeles, California on September 20, 1906.
Russell Metty ( Los Ángeles, California, 20 de septiembre de 1906 – Canoga Park, California, 28 de abril de 1978) fue director de fotografía en muchas de las grandes películas de Hollywood en las décadas de 1940, 1950 y 1960. Datos rápidos Información personal, Nacimiento ... En 1961 obtuvo el Óscar a la mejor fotografía por Espartaco ...
With its relentless pace, expressive cinematography by the great Russell Metty, and punchy, clever script by Ben Hecht and Charles Lederer, this is an overlooked treasure from the heyday of 1940s film noir.
