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  1. 24 de sept. de 2021 · The Hirshhorn Museum and Sculpture Garden presents the largest-ever US exhibition of artwork by groundbreaking multimedia artist, performer, musician, and writer Laurie Anderson, from Sept. 24, 2021–August 7, 2022.

  2. Laura Phillips "Laurie" Anderson (born June 5, 1947) is an American avant-garde artist, musician and filmmaker whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, [4] Anderson pursued a variety of performance art projects in New York during the 1970s, focusing particularly on language, technology, and visual imagery. [2]

  3. 15 de ene. de 2018 · Chalkroom is a virtual reality work by Laurie Anderson and Hsin-Chien Huang in which the reader flies through an enormous structure made of words, drawings and stories. Once you enter you are free to roam and fly. Words sail through the air as emails. They fall into dust. They form and reform.

  4. A practicing Buddhist, Anderson imagined her dog in the Bardo — a place in which, according to The Tibetan Book of the Dead, all living things must spend 49 days in preparation for reincarnation....

  5. Ongoing. Laurie Anderson is one of the leading multimedia artists of our time, and her innovative work in performance, music, technology, and visual art has profoundly influenced popular culture for more than forty years. In 2021, as part of The Weather —her largest US exhibition to date– the Hirshhorn invited Anderson to create a new work ...

  6. 1.4 2023 – 3.9 2023. Stockholm. Laurie Anderson is a legendary figure in American avant-garde art, experimental music and independent culture. In this exhibition, Laurie Anderson explores the potential for presenting a narrative in the museum space. Here, earlier works meet new productions, in a reflection on time and being, silence and clamour.

  7. 30 de sept. de 2022 · Laurie Anderson, ten years younger than Rose and not yet famous, was at the time writing reviews (to support herself, one account says, rather implausibly) for ARTnews and Artforum. In her assessment of the opening show, the first artist mentioned is Judith Bernstein, for a “gigantic” (nine-foot-tall) charcoal drawing from the “Hardware Series.”