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  1. 16 de abr. de 2024 · Richard Taruskin: Musicologist, music critic, and interpreter of early music. Growing up in a liberal Jewish family, Richard Taruskin was encouraged by both his parents to regularly engage in intellectual political debate and music making.

  2. 30 de abr. de 2024 · Richard Taruskin is Professor Emeritus of Music Scholarship at the University of California, Berkeley and the 2017 recipient of the Kyoto Prize in Arts and Philosophy. Taruskin's wide-ranging scholarship includes work on Stravinsky and Russian music, historiography, music and politics, sacred music from the 15th and 16th centuries ...

  3. Hace 5 días · Richard Taruskin 2 considers Judith the first Russian music drama that consciously sought to do what Glinka did instinctively, while Martin Cooper 3 suggests that Serov’s “importance in Russian musical history was perhaps that of a lesser Russian Meyerbeer”: his grand operas bridged the bel canto era of Glinka and more innovative composers like Tchaikovsky, Mussorgsky, and Rimsky-Korsakov.

  4. 19 de abr. de 2024 · Richard Taruskin Professor of Musicology, University of California, Berkeley. Author of Text and Act: Essays on Music and Performance; Stravinsky and the Russian Traditions; Musorgsky: Eight Essays and an Epilogue ...

  5. 30 de abr. de 2024 · Richard Taruskin has objected to its distorting effects: “ He remains a controversial, poorly un derstood figure in the West… Attempts to assimilate him to conventional notions of ‘Russian music’ have diminished him, as attempts to assimilate his works to the story of his life and loves have diminished them.” (Taruskin ...

  6. 18 de abr. de 2024 · Oxford History of Western Music This link opens in a new window The Oxford History of Western Music online offers an unmatched account of the evolution of Western classical music by one of the most prominent and provocative musicologists of our time, Richard Taruskin.

  7. 18 de abr. de 2024 · Veja grátis o arquivo Richard Taruskin - Text and Act Essays on Music and Performance-Oxford University Press, USA (1995) enviado para a disciplina de Música Categoria: Resumo - 138113268