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Rhythm Killers (1987) With Carlinhos Brown / Bill Laswell. Bahia Black: Ritual Beating System (1991) With Leroy Jenkins. Themes & Improvisations on the Blues (1992) With Kip Hanrahan. Darn It! (1992) with Paul Haines; A Thousand Nights and a Night (Shadow Night – 1) (1996) With Billy Bang. Hip Hop Be Bop (1993) with Craig Harris ...
Co-written by Shinehead, "Rhythm Killer" features aggressive percussion, frantic toasting by Shinehead, descending strings, and downtown saxophone phrases by Henry Threadgill. It was featured in the 1988 film Colors.
Rhythm Killers (1987) Con Carlinhos Brown / Bill Laswell. Bahia Black: Ritual Beating System (1991) Con Leroy Jenkins. Themes & Improvisations on the Blues (1992) Con Kip Hanrahan. Darn It! (1992) with Paul Haines; A Thousand Nights and a Night (Shadow Night – 1) (1996) Con Billy Bang. Hip Hop Be Bop (1993) with Craig Harris; Vietnam ...
1987: Sly & Robbie / Bill Laswell — Rhythm Killers . 1982: David Murray — Murray's Steps . 1981: Material / Bill Laswell — Memory Serves. 1981: David Murray — Home . 1980: David Murray — Ming. 1978: Frank Walton — Reality . 1978: Roscoe Mitchell — L-R-G / The Maze / S II Examples. 1978: Anthony Braxton — For Trio. 1977: Roscoe ...
15 de mar. de 2014 · The music is coupled with complex rhythms, another distinctive aspect of all of Threadgill’s music. He was among the first in jazz to use constantly shifting meters, which creates a layered rhythmic effect, while maintaining a steady pulse.
Bio by Gene Santoro. “Unconventional” describes not just Henry Threadgill’s music, but his life. Born in Chicago in 1944, Henry grew up on the South Side, where parade bands and the blues filled the air. He played percussion, then clarinet in the Englewood High School band, but switched to sax at 16. Idolizing Sonny Rollins, John Coltrane ...
The Other One by Henry Threadgill, released 26 May 2023 1. Movement I, Sections 1-2 2. Mvt I, Section 3 3. Mvt I, Sections 4-4A 4. Mvt I, Sections 5-6 5. ... described the performance as possessing “a galvanic sense of swing,” and “in lock-step with his every surprise rhythmic feint — producing an obliquely danceable, ...
