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  1. 7 de may. de 2013 · In 1933, the 13-year-old Ray Harryhausen saw King Kong at the cinema and was hooked – not only by Kong, who was clearly not just a man in a gorilla suit, but also by the dinosaurs.

  2. 11 de mar. de 2019 · Ray Harryhausen (1920–2013) 1946. Henry Goode (1882–1966) The Ray and Diana Harryhausen Foundation. Alongside Doré, Ray was heavily influenced by the dramatic paintings of John Martin. Together with Doré, Ray saw Martin's work as one of the precursors of modern cinema. Interestingly, Martin's apocalyptic artwork was derided as being ...

  3. The Ray & Diana Harryhausen Foundation is a charitable Trust set up by Ray on the 10th April 1986. It is the primary aim of the Foundation to protect Ray’s name and body of work as well as archiving, preserving and restoring Ray’s extensive collection. In addition the Foundation is firmly committed to show and exhibit, for educational and ...

  4. Ray Harryhausen nació el 29 de junio del año 1920 en la ciudad de Los Ángeles, California (Estados Unidos). Amante del mundo de la ciencia-ficción y la fantasía desde niño, Ray formó parte de clubes de aficionados a estos géneros, intimando desde su adolescencia con el conocido escritor Ray Bradbury.

  5. Film special effects superstar Ray Harryhausen helped elevate stop motion animation to an art. His innovative and inspiring films, from the 1950s onwards, changed the face of modern movie making forever. This largest and widest-ranging exhibition of Ray Harryhausen’s work ever seen contained newly restored and previously unseen material from his incredible archive. “This is not just ...

  6. 28 de jun. de 2020 · The most beloved of Ray Harryhausen’s films, Jason and the Argonauts was his most expensive and intricately conceived production to date. Culled from Greek mythology, the hero’s quest for the Golden Fleece was episodic by nature, lending itself organically to the series of encounters through which Harryhausen’s effects work could shine.

  7. 7 de may. de 2013 · George Lucas said simply, “Without Ray Harryhausen, there would likely have been no Star Wars.” Harryhausen began working in stop motion after seeing and being inspired by King Kong in 1933.

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