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Rawson Marshall Thurber (San Francisco, 9 febbraio 1975) è un regista, sceneggiatore e produttore cinematografico statunitense. Biografia. Figlio di un avvocato ed imprenditore immobiliare milionario, Rawson si è laureato allo Union College e ...
Rawson Marshall Thurber (San Francisco, 1975. február 9. –) amerikai rendező, producer, forgatókönyvíró és színész. Thurber olyan filmeket rendezett, mint a Kidobós: Sok flúg disznót győz (2004), a Családi üzelmek (2013), a Központi hírszerzés (2016) és a Felhőkarcol ...
Biografía de Rawson Marshall Thurber 09 de Febrero de 1975, y su filmografía, todas sus películas: Alerta roja, Terry Tate, Office Linebacker, El rascacielos, Un espía y medio, Los misterios de Pittsburgh
Rawson Marshall Thurber es un guionista, actor y director de cine, nacido el 9 de febrero de 1975, en San Francisco, California. En 1997, se graduó de la Universidad del Sur de California del programa de producción de Peter Stark. A partir de ese momento se convirtió en el asistente del guionista John August que se encargaba del programa de ...
Rawson Marshall Thurber (born February 9, 1975) is an American filmmaker and actor. Thurber was born in San Francisco, California. He is the son of attorney Marshall Thurber. He is a 1997 graduate of Union College (Schenectady, New York), where he was a member of the Delta Upsilon fraternity and played wide receiver on the football team for two years.
The Division: Directed by Rawson Marshall Thurber. With Jake Gyllenhaal, Jessica Chastain, McKinley Stamper. In the near future, a pandemic virus is spread via paper money on Black Friday, decimating New York. A group of civilians, trained to operate in catastrophic times, are activated in an attempt to save who and what remains.
10 de nov. de 2021 · Rawson Marshall Thurber is no stranger to making big movies. The director first made a name for himself in 2004 with Dodgeball: A True Underdog Story, and has spent the intervening years writing and directing some of Hollywood’s highest octane, mega-budget action comedies like 2016’s Central Intelligence, and 2018’s Skyscraper, both of which steered clear of any source material, and ...
