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  1. 21 de mar. de 2024 · He brought in rising saxophone star Joe Henderson – adept at playing both hard bop and progressive jazz – alongside Eric Dolphy, a leading light of the avant-garde scene, who juggled alto sax...

  2. Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams .

  3. 8 de ene. de 2012 · piano. Andrew Hill: piano; Kenny Dorham: trumpet; Eric Dolphy: alto sax, flute, bass clarinet; Joe Henderson: tenor saxophone; Richard Davis: bass; Tony Williams: drums. Album information. Title: Point Of Departure | Year Released: 1965 | Record Label: Blue Note.

  4. 21 de mar. de 2024 · Andrew Hill’s “Point of Departure” is a seminal work in avant-garde jazz, showing both his unique compositions and his ensemble’s exceptional talents. This album, released in April 1965, demonstrates Hill’s distinct musical vision and ability to push jazz’s boundaries. The Making of a Masterpiece:

  5. 6 de mar. de 2010 · También la elección del personal resulta muy atractiva, con esa combinación imposible de estilos: la solidez, sobriedad y serena contención de Joe Henderson, la caricia sonora de Kenny Dorham y las imprevisibles diabluras de Eric Dolphy, junto con la estimulante presencia de Richard Davis, Williams y el propio Hill hacen de esta ...

  6. Point Of Departure is Andrew Hill’s masterpiece with rich three-horn arrangements for Kenny Dorham, Eric Dolphy and Joe Henderson. Richard Davis and Tony Williams complete this high level ensemble. Eric Dolphy (flute, bass clarinet, alto sax), Joe Henderson (tenor sax), Kenny Dorham (trumpet), Richard Davis (bass), Tony Williams (drums ...

  7. 7 de nov. de 2023 · By Max Cole. 07 Nov 2023. “Point of Departure” is widely considered Andrew Hill’s milestone album, a mesmerising show of craftsmanship and inventiveness that has no other real comparison in jazz.