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Philip Van Horn Weems Dodds (May 17, 1951 – October 6, 2007), credited as Phil Dodds and Philip Dodds, was an audio engineer who appeared in the 1977 motion picture Close Encounters of the Third Kind. As ARP Instruments, Inc. 's Vice President of Engineering, Dodds was on the set to install and manage the ARP 2500 synthesizer used ...
Actor. Music Department. Sound Department. IMDbPro Starmeter See rank. Philip Dodds was born on 17 May 1951 in Coronado, California, USA. He was an actor, known for Close Encounters of the Third Kind (1977). He was married to Susan Kriss Hayden. He died on 6 October 2007 in Annapolis, Maryland, USA. Born May 17, 1951.
9 de oct. de 2007 · You’ve mentioned Phil Dodds on your site before, the guy who played the ARP 2500 in Close Encounters of the Third Kind. He was VP of Engineering at ARP, he wrote all of their service manuals and schematics and helped design and build many ARP synths, from the 2600 to the Chroma.
22 de ago. de 2017 · Phil Dodds, ARP’s VP of Engineering, was responsible for setup of the synthesizer on set and actually made an appearance as its operator in the scene. The famous musical encouter scene from Spielberg's 1977 film. But beyond this notable film appearance, the ARP 2500 remains a fascinating synthesizer in a number of ways.
17 de ago. de 2009 · Mark Oehlert, an acquaintance of mine via Twitter, turned me onto his friend Phil Dodds, who turns out was not only in the film Close Encounters of the Third Kind, but contributed a great deal to our culture in his short life, including, but not limited to, SCORM:. From Wikipedia:. He was the chief architect of the Sharable Content Object Reference Model (SCORM) under the guidance of the ...
Philip Dodds es un Actor. Descubre su biografía, filmografía, imágenes, vídeos, el detalle de sus años de carrera, dónde ver sus películas o series y últimas noticias, en La Vanguardia
Phil Dodds. Highlights the role of arts and culture in the making of geographical scale. Analyses how music has imposed, normalised or contested a range of politicised scalar relations. Discusses examples ranging from funk and grime to antifascist protest songs and colonial Christian hymns.
