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  1. www.npr.org › 2011/11/03 › 140824540A Critic To Remember: Pauline Kael At The 'Movies' - NPR

    3 de nov. de 2011 · Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as the author of several books, including I Lost It at the Movies and For Keeps: 30 Years at the Movies. To quote the ...

  2. www.youtube.com › watchPauline Kael - Tarantino's Movie Critic? - YouTube

    14 de abr. de 2023 · With rumors that Tarantino's next film, THE MOVIE CRITIC, will feature the polarizing film critic Pauline Kael, Heath discusses the lasting legacy of one of ...

  3. www.nytimes.com › 2001/09/04 › moviesPauline Kael, Provocative and Widely Imitated New Yorker Film...

    4 de sept. de 2001 · Pauline Kael, who expressed her passion for movies in jaunty, jazzy prose as the longtime film critic for The New Yorker, died yesterday at her home in Great Barrington, Mass. She was 82.

  4. www.newyorker.com › magazine › 2011/10/24What She Said | The New Yorker

    17 de oct. de 2011 · What She Said. By Nathan Heller. October 17, 2011. Kael was sensitive to the cultural atomization of the sixties, and saw the movies as a second chance for American art. Illustration by Robert ...

  5. baike.baidu.com › item › 宝琳·凯尔宝琳·凯尔 - 百度百科

    宝琳·凯尔（Pauline Kael），女，1919年6月19日出生于美国。是美国非常著名的影评人，在相当大范围内被认可为20世纪下半叶最具影响力的媒体影评人。她的特点是诙谐、尖锐、一针见血且固执己见。在1967年到1991年间她为《纽约客》（New Yorker）写作。她的影评写作影响了后来的许多重要影评人，如 ...

  6. www.newyorker.com › books › double-takeSunday Reading: The Electrifying Critical Mind of Pauline Kael

    16 de jun. de 2019 · June 16, 2019. Photograph from Everett / Shutterstock. Next week marks the hundredth anniversary of the birth of the film critic Pauline Kael. Her arrival at The New Yorker, in the late nineteen ...

  7. www.nouvelobs.com › editos-et-chroniques › 20221114Pauline Kael, la critique qui faisait trembler le monde du cinéma...

    14 de nov. de 2022 · Pauline Kael, la critique qui faisait trembler le monde du cinéma . Jérôme Garcin. Rob Garver consacre un documentaire à celle qui fut longtemps critique de films au « New Yorker » et dont les articles enflammèrent le Hollywood des années 1960-1970. Par Jérôme Garcin.