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Pauline Kael (19. kesäkuuta 1919 Petaluma, Kalifornia, Yhdysvallat – 3. syyskuuta 2001 Great Barrington, Massachusetts, Yhdysvallat) oli yhdysvaltalainen elokuvakriitikko. Hän kirjoitti vuosina 1967–1991 kolumneja ja lyhyitä arvosteluja The New Yorker-lehdelle.
Pauline Kael (Petaluma, 19 de junho de 1919 – Great Barrington, 3 de setembro de 2001) foi uma crítica de cinema americana que escreveu para a revista The New Yorker de 1968 a 1991. Kael era conhecida por ser "espirituosa, mordaz, altamente opinativa e asperamente focada" [ 1 ] resenhas, suas opiniões costumavam ser contrárias às de seus contemporâneos.
15 de jul. de 2023 · Update July 15, 2023: While Pauline Kael is not the specific subject of Tarantino's film, she has made a large impact on film criticism, and as such an important voice, we wanted to highlight a ...
4 de sept. de 2001 · Pauline Kael, who expressed her passion for movies in jaunty, jazzy prose as the longtime film critic for The New Yorker, died yesterday at her home in Great Barrington, Mass. She was 82.
ポーリン・ケイル (Pauline Kael, 1919年 6月19日 - 2001年 9月3日) はアメリカ合衆国出身の女性映画批評家。 1968年から1991年まで執筆したザ・ニューヨーカー誌の映画評で有名であり、アメリカでも最も影響力のある評論家として知られていた 。
17 de mar. de 2010 · In the late sixties, Pauline Kael’s exhilarating review of “Bonnie and Clyde” burst upon the scene, announcing a revolution in cinematic taste. Arthur Penn’s 1967 film, ...
26 de ago. de 2020 · Tagged by Roger Ebert as the most influential film critic of her day, the film investigates turbulent life and controversial work of Pauline Kael, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia.
