Resultado de búsqueda
Written by Paul Iribe (French, Angoulême 1883–1935 Roquebrune-Cap-Martin) 1930. Choix, "Planche V: Bijoux: Colliers, diamants, rubis et émeraudes de taille classique" Written by Paul Iribe (French, Angoulême 1883–1935 Roquebrune-Cap-Martin) 1930. Resources for Research.
Paul Iribarne Garay, known as Iribe (1883-1935), Commode, Paris, c. 1912. Carcase of mahogany and tulipwood, light mahogany interior, slate top, green-dyed shagreen covering, ebony knobs, carved ebony base and garlands. Gift of Monsieur Jean Edouard Dubrujeaud in memory of Monsieur Jacques Doucet, 1958. Inv. 38144.
Written by Paul Iribe (French, Angoulême 1883–1935 Roquebrune-Cap-Martin) 1930. Islamic Art at The Met The Met's collection of Islamic art is one of the most comprehensive in the world and ranges in date from the seventh to the twenty-first century. Its more than 15,000 ...
29 de ago. de 2013 · Paul Poiret." (Former owner Max Meyer has been tentatively identified as an agent for the raw silk trade (Mitsui & Co.) who lived in Jersey City, NJ, and whose obituary appears in v. 33, p. 63 (1914) of the American silk journal) CHMRB copy has Iribe's name scratched out in ms. ink on each plate.
10 de dic. de 2017 · Pero Paul Poiret, el “Padre del Art Déco”, cayó en el olvido. Esta es su historia. ... Raoul Dufy, Paul Iribe, Henri Matisse, Amedeo Modigliani y Pablo Picasso. Puede parecer una mezcla ...
Paul Iribe. Costume Designer: Forty Winks. Paul Iribe was born on 8 June 1885 in Angoulême, Charente, France. He was a costume designer and art director, known for Forty Winks (1925), Changing Husbands (1924) and The Night Club (1925). He died on 21 September 1935 in Roquebrune-Cap-Martin, Alpes-Maritimes, France.
Iribe, Paul (1883 – 1935) Among the mavericks of Art Déco is the graphic artist, costume designer, and jewellery designer Paul Iribe. His works – whether designs for furniture, fabric, jewellery, theatrical costumes or stage decorations – exhibit a sense of a whole new style, which departs from Art Nouveau beginning in 1910 to establish a new repertoire of forms.
