Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Artist, designer and maker, Oliver Messel (1904-1978), established himself as one of the most successful designers in Britain, designing film, theatre and ballet, including his masterpiece, The Sleeping Beauty, for Sadler’s Wells (now the Royal Ballet), bringing his unique style, whilst in the process creating a queer aesthetic. In 2017 works by Messel were included in Tate Britain’s major ...

  2. Oliver Hilary Sambourne Messel. Sitter in 27 portraits. Set and costume designer for theatre, opera, ballet and film. Messel's first professional commission was for the ballet Zephyr and Flora (1925). By the early 1930s, Messel was established as one of the foremost stage designers in Britain with an imaginative flair and highly-stylised approach.

  3. Pools. 1. From USD $3,720 per night. Read more. Some of the finest villas in Barbados were designed by Oliver Messel who was originally a portrait painter, later a leading theatre, film and set designer and who, at the age of 55, moved from England to Barbados and started his new career as an architect and interior designer.

  4. Oliver Messel was born to Leonard (1872-1953) and Maud Messel, née Sambourne (1875-1960) on the 13 January 1904 and was the youngest of three children after Linley and Anne. The family moved to Nymans, the Messel family home in Sussex, from nearby Balcombe in 1915. The house remained in the family until 1953 when it was bequeathed to the ...

  5. 30 de abr. de 2018 · Flowered antique china framed by airy trailing vines in a dining room that is thickly garlanded with pink, yellow, and red roses doesn’t sound especially Yuletide but that’s what Oliver Messel ...

  6. Oliver Messel (1904–1978) Victoria and Albert Museum. Theatrical and film designer and decorator and painter, born in London, his father Lieutenant-Colonel Leonard Messel, his mother Maud the daughter of the black-and-white artist Linley Sambourne. Attended Eton College, 1917–21, leaving early for the Slade School of Fine Art.

  7. As Messel explained, I attempted use every device to make as much magic as possible.” Another of Georgia Fanshawe’s vignettes vividly conveys this. “The first time I went to Mustique was as a young girl in 1974. I remember we stayed overnight in Barbados at Oliver Messel’s house, Maddox. We had dinner by candlelight in his beautiful garden.