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Reparto de National Theatre Live: Medea - una película dirigida por Ross MacGibbon. Estrenada el 04/09/2014, protagonizada por Helen McCrory, Michaela Coel, Dominic Rowan, Danny Sapani. Descubre ...
4 de sept. de 2014 · National Theatre Live: Medea es una película estrenada en el año 2014 dirigida por Ross MacGibbon . Está protagonizada por Helen McCrory, Michaela Coel, Dominic Rowan...Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile.
Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.
This film focuses on the 2014 production of Medea. In this short film resource, Dr Lucy Jackson (Assistant Professor Greek Literature, Durham University) and Erin Lee (Head of Archive, National Theatre) take you on a virtual visit to the National Theatre Archive. The film follows their exploration and discovery of how the work of ancient Greek ...
23 de jul. de 2014 · Medea is a rich psychological drama that examines murder and infanticide, betrayal and heartbreak – themes that still fascinate and appal us in equal measure today. Tom Scutt’s split level set – which brings us from the home, to an eerie woodland, to a wedding celebration – thoroughly enriches the experience, constantly pulling our eye ...
4 de sept. de 2014 · She exacts an appalling revenge and destroys everything she holds dear. Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s ...
22 de jul. de 2014 · This is, incredibly, the first ever staging of Medea in the National Theatre’s 50 year history. It’s an omission all the more remarkable, given the complex feminist issues raised by Euripides’ unsparing portrayal of a dumped woman driven to exacting revenge on her treacherous partner by the ultimate (and tragically self-defeating) recourse of murdering their children.
