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29 de mar. de 2023 · The artist Nam June Paik is often described as a prophet of the digital age. A pioneer of video art who was born in Korea and spent most of his career in the United States, Paik seemed to ...
The Nam June Paik Archive is a blend of traditional paper holdings (letters, writings, ephemera) and objects (studio effects, recordings, vintage electronics and other source materials).Each aspect of the collection gains strength from the other, and together they present a fascinating picture of the artist’s life, work and creative process.
Nam June Paik, 1986. Photo by Rainer Rosenow. In 1964 Paik moved to New York and continued his explorations of television and video, and, by the late 1960s, was at the forefront of a new generation of artists creating an aesthetic discourse out of television and the moving image.
Director Amanda Kim tells, for the first time, the story of Paik’s meteoric rise in the New York art scene and his Nostradamus-like visions of a future in which “everybody will have his own TV channel.”. Thanks to social media, Paik’s future is now our present, and NAM JUNE PAIK: MOON IS THE OLDEST TV shows us how we got here.
Nam June Paik (Korean: 백남준; RR: Baek Nam-jun; July 20, 1932 – January 29, 2006) was a Korean artist.He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Nam June Paik was born in 1932 in Seoul, Korea. The onset of the Korean War forced his family to flee to Hong Kong in 1950. They soon moved to Japan, and Paik graduated from the University of Tokyo in 1956 with a degree in aesthetics. To pursue his interest in avant-garde music and composition, the artist then went to Germany, where he met John ...
Nam June Paik then began participating in the Neo-Dada art movement, known as Fluxus, which was inspired by the composer John Cage and his use of everyday sounds and noises in his music. He made his big debut in 1963 at an exhibition known as Exposition of Music-Electronic Television at the Galerie Parnass in Wuppertal in which he scattered televisions everywhere and used magnets to alter or ...
