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Nam June Paik (Korean: 백남준; RR: Baek Nam-jun; July 20, 1932 – January 29, 2006) was a Korean artist.He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Nam June Paik then began participating in the Neo-Dada art movement, known as Fluxus, which was inspired by the composer John Cage and his use of everyday sounds and noises in his music. He made his big debut in 1963 at an exhibition known as Exposition of Music-Electronic Television at the Galerie Parnass in Wuppertal in which he scattered televisions everywhere and used magnets to alter or ...
13 de nov. de 2019 · 「ヴィデオ・アートの父」として知られているナム・ジュン・パイク（1932〜2006）。その大規模な個展「Nam June Paik」が、ロンドンのテート・モダンで開催されている。 本展は、テート・モダンとサンフランシスコ近代美術館が共同で企画したもの。
Nam June Paik, 1986. Photo by Rainer Rosenow. In 1964 Paik moved to New York and continued his explorations of television and video, and, by the late 1960s, was at the forefront of a new generation of artists creating an aesthetic discourse out of television and the moving image.
29 de mar. de 2023 · The artist Nam June Paik is often described as a prophet of the digital age. A pioneer of video art who was born in Korea and spent most of his career in the United States, Paik seemed to ...
No entanto, décadas depois o artista coreano Nam June Paik desafiaria essa suposição. Considerado o pai da video art, Paik provou inúmeras vezes que a tradição pode estar conectada ( no melhor sentido da palavra) com a tecnologia, mostrando como as máquinas poderiam ser uma força positiva para a cultura, capaz de reter os melhores ...
Nam June Paik (1932–2006) played a leading role in bridging the gap between art and technology. Always innovative, his work encompassed a variety of artistic genres, from sculpture and performance to music and live broadcasting. A frequent collaborator, he worked internationally with artists, performers and specialists from different disciplines.
