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  1. 13 de mar. de 2021 · The title track, “Mud Slide Slim,” reveals the oeuvre of James Taylor’s songwriting: light-hearted, pastoral, and romantic escapism. Taylor turns into a simulacrum of H.D. Thoreau’s Walden, in the lines: “I’m gonna cash in my hand / and pick up on a piece of land / and build myself a cabin in the woods,” where he’ll remain until ...

  2. Joni Mitchell Dug Deep to Make Her Dark Masterpiece ‘Blue’ ... When they sang together - on his album Mud Slide Slim and the Blue Horizon, or onstage - they each seemed to be in ecstasy, in harmony in more ways than one. But offstage, it was clear that they were each seriously disturbed.

  3. 17 de mar. de 2021 · Propelled by his success, James began work on his third album, ultimately proving that his music was here to stay. Mud Slide Slim and the Blue Horizon is actually a fictionalized version of James’ band, with the characters: Stoney Lee Blue Borne (Leland Sklar-bass), Oil Slick (Russ Kunkel-percussion), and Kootcheroo (Danny Kortchmar-guitar).

  4. 19 de may. de 2017 · Both set about preparing their respective solo albums, with Mitchell singing backing vocals on what would become Mud Slide Slim And The Blue Horizon - most notably on his cover of Carole King's "You've Got A Friend" - and Taylor repaying the compliment by adding guitar to "California", "All I Want" and "A Case Of You".

  5. Mud Slide Slim and the Blue Horizon è il quarto album di James Taylor, pubblicato dalla Warner Bros. Records nel marzo del 1971 Tracce. Brani composti da James ... Joni Mitchell, Kate Taylor - cori; Note aggiuntive. Peter Asher - produttore (per la Marylebone Productions)

  6. Joni Mitchell, die bei beiden Alben im Hintergrund zu hören ist, veröffentlichte im Juni 1971 ihr berühmtes Album Blue. Diese Alben waren die erfolgreichsten Alben des Genres Singer/Songwriter im Jahre 1971. Mud Slide Slim and the Blue Horizon erreichte den zweiten Platz der Popalbumcharts. Das Foto auf dem Plattencover stammt von Ethan ...

  7. Mud Slide Slim & The Blue Horizon. By Ben Gerson. June 24, 1971. When an artist has finally achieved success he is subjected to the kind of critical evaluation which will either legitimize that ...