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  1. 1 de ene. de 2012 · Trio, for violin, cello & piano (1980)Ives Ensemble"My whole generation was hung up on the 20- to 25-minute piece. It was our clock. We all got to know it an...

  2. La toile de Feldman est constituée de tons sporadiques, isolés, et renferme une glose dans un milieu de vive inquiétude – réfutant l’idée que sa musique incarnerait un vide existentiel. L’inquiétude crée une tension, stimulée par le compositeur – son sentiment de responsabilité, son désir. Parfois, la musique paraît familière, à l’apparition d’un motif qui ne ...

  3. 6 de may. de 2021 · Morton Feldman, bare-boned and beautiful, from the Horszowski Trio. By Kurt Gottschalk, 06 May 2021. Webstream producers sometimes try to compensate for the lack of intimacy, the missing “being there”, with value added visuals – cinematic camerawork for example, or works of art on display alongside the musicians.

  4. 9 de may. de 2018 · FELDMAN, MORTON (1926–1987), U.S. composer. Born in New York City, Feldman began studying the piano with Vera Maurina-Press at the age of 12 (the work Madame Press Died Last Week at Ninety was written in 1970 in her memory), and later studied composition and counterpoint with Wallingford Riegger and Stefan *Wolpe.

  5. Morton Feldman, Amsterdam 1976, door Rob Bogaerts (). Morton Feldman (New York, 12 januari 1926 – Buffalo, 3 september 1987) was een Amerikaans componist.. Feldman genoot zijn muzikale opleiding van onder meer Stefan Wolpe en Wallingford Riegger.Zijn muziek is abstract en is beïnvloed door het expressionisme.Hij paste in zijn vroege werk een nieuwe techniek toe waarbij de noten en rusten ...

  6. View credits, reviews, tracks and shop for the 1996 CD release of "Trio (1980)" on Discogs.

  7. Trio (DVD Audio) The expansive length of Morton Feldman ’s Trio (1 hr., 45 min., 22 sec.) requires a new approach to listening, which takes scale, the physical experience of sound, and novel uses of musical memory into consideration. With his delicate manipulation of musical materials, Feldman blurs the listener’s sense of time as their ...