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Hace 5 días · Violinist David Harrington on which 10 moments he cherished most with his quartet colleagues. I. Veda Reynolds came to many of Kronos’ concerts in Paris. I am so fortunate to have had Veda as my teacher for thirty years. She was the kindest, most thorough teacher imaginable. Toward the end of her life, she brought her binoculars to our concerts.
Hace 5 días · A musical figure of great influence in the twentieth century, the American composer Morton Feldman belongs to the so-called «New York School” which from the mid-1950s revolutionized the American musical world by rethinking every parameter of the compositional world from the foundations, introducing new types of notation, experimenting with chance and indeterminacy, overturning every ...
Hace 5 días · April 2024, 00:05 Uhr. Vor 40 Jahren setzte die Uraufführung von Morton Feldmans „Violin and Orchestra“ einen musikhistorischen Markstein. Durch Mikrovarianten-bildung entstehen in sich...
Hace 5 días · Morton Feldman painted Rothko Chapel with exquisitely patient care, meditating in quiet and very distinctly personal tones. Annotator Robert Kirzinger elucidated how “Feldman wanted to achieve the same effect in his music as Rothko did in his paintings, creating his unusual ensemble of chorus, celesta, percussion, and viola to ‘permeate the whole octagonal-shaped room and not be heard from ...
Hace 4 días · They’re also influenced by contemporary classical composers including Morton Feldman. The Extemporaneous Music and Arts Society. Seth Andrew Davis, left, ...
Hace 4 días · Philip Glass (born January 31, 1937) is an American composer and pianist.He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically.
Hace 5 días · American composer Morton Feldman, who spent most of his career trying to erase any sense of metre from his music, used graphic scores in order to make time “less perceptible as movement, more conceivable as image”.
