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Once college-radio all-stars, Fetchin Bones became forgotten left-of-the-dial pioneers, probably because their bluesy, American hard-rock sound polarized the mostly British tastes of campus programmers in the mid to late ‘80s. Featuring vocalist Hope Nicholls, guitarist Gary White, bassist Danna Pentes, and drummer Marc Mueller, Fetchin Bones ...
Monster proved to be Fetchin Bones’ last hurrah, and it’s a bang-up finale. With Ed Stasium’s powerful but disciplined production lending new focus to the band’s brashly metallic lurch, Monster is simultaneously the Bones’ most commercial album and their best.
11 de feb. de 2007 · Fetchin Bones - Monster - Amazon.com Music. Skip to main content.us. Delivering to Lebanon 66952 ... The lead singer even made the comment "Man, there's a huge fly in here!" on the copy he gave me. Fetchin Bones is (was) a great band. Their music is catchy and still up to date, as far as I'm concerned. Buy it. You'll like it.
Fetchin Bones — Monster. August 17, 2020 August 16, 2020 cjvinyl. 1989/1990 was a transition year for me. Done with grad school in Syracuse, leaving typesetting and the printing business behind, and moving to a fellowship with the New York State Senate in Albany.
On their third album, 1987’s Galaxy 500, Errol Stewart and Clay Richardson replaced Mueller and White, marking a stylistic shift as Fetchin Bones veered more towards straightforward rock with a funky edge. Their final album, Monster (1989), was Grammy-nominated
Bass, Violin – Danna Pentes. Composed By – Fetchin Bones. Drums – Clay Richardson. Engineer – Paul Hamingson. Engineer [Assistant] – Gina Immel, Jim Dineen. Guitar – Aron Pitkin *, Errol Stewart. Producer – Ed Stasium. Producer [Executive] – Tim Carr (4), Tom Whalley. Vocals – Hope Nicholls.
Led by vocalist/human tornado Hope Nicholls, North Carolina’s Fetchin Bones regularly conjured enough onstage electricity to power Santa Monica. They plugged into Deirdre’s grid for a second time in October 1989, bringing their adrenaline-soaked rock’n’roll back to the SNAP studio in support of their fifth (and final) album, “Monster ...
