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24 de abr. de 2024 · In our Winter 1948/49 issue, Michael Balcon, the legendary British producer and head of Ealing Studios, recalled the manifold challenges faced by the crew of the Robert Falcon Scott biopic. 24 April 2024. By Michael Balcon. Scott of the Antarctic (1948)
Hace 1 día · In 1933, Hitchcock signed a multi-film contract with Gaumont-British, once again working for Michael Balcon. His first film for the company, The Man Who Knew Too Much (1934), was a success; his second, The 39 Steps (1935), was acclaimed in the UK, and gained him recognition in the US.
28 de abr. de 2024 · At the heart of the story is the figure of Michael Balcon - perhaps the closest Britain has ever come to producing a movie mogul in the Hollywood mould - and iconic actors such as Peter Sellers, Alec Guinness, Margaret Rutherford and Sid James. First published: Thursday 15th October 2015
29 de abr. de 2024 · Day-Lewis was the second child of Cecil Day-Lewis, one of the leading British poets of the 1930s, and actress Jill Balcon and was the grandson of motion-picture producer Sir Michael Balcon. He began acting at Bedales, a liberal school in Petersfield, England, and at age 13 he landed a small role in the film Sunday Bloody Sunday (1971).
25 de abr. de 2024 · In 1934, with a limited budget provided by producer Michael Balcon, Flaherty shifted his focus to the islanders of Aran, off the west coast of Ireland, to make the film that, more than any of his others, would be criticised for its supposed ‘distortion’.
Hace 2 días · Sir Ridley Scott GBE (born 30 November 1937) is an English filmmaker. He is best known for directing films in the science fiction, crime and historical drama genres. His work is known for its atmospheric and highly concentrated visual style. He ranks among the highest-grossing directors and has received many accolades, including the BAFTA Fellowship for lifetime achievement in 2018, two ...
16 de abr. de 2024 · A couple of years after the war, scriptwriter for Ealing Studios, Simon Heffer, brought the book to studio head, Michael Balcon, who was initially sceptical that a comedy about murder wouldn’t be commercially viable; however, the creative team persuaded him to invest, and director Robert Hamer was brought on board to realise the ...
