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  1. Mean Streets (conocida como Malas calles en España y Calles peligrosas o Calles salvajes en Hispanoamérica) es una película estadounidense de drama y crimen de 1973 producida y dirigida por Martin Scorsese, escrita por Scorsese y Mardik Martin, y protagonizada por Robert De Niro, Harvey Keitel y David Proval.

  2. 14 de oct. de 1973 · Mean Streets: Directed by Martin Scorsese. With Robert De Niro, Harvey Keitel, David Proval, Amy Robinson. In New York City's Little Italy, a devoutly Catholic mobster must reconcile his desire for power, his feelings for his epileptic lover, and his devotion to his troublesome friend.

  3. en.wikipedia.org › wiki › Mean_StreetsMean Streets - Wikipedia

    Mean Streets is a 1973 American crime drama film directed by Martin Scorsese, co-written by Scorsese and Mardik Martin, and starring Robert De Niro and Harvey Keitel. It was produced by Warner Bros. The film premiered at the New York Film Festival on October 2, 1973, and was released on October 14. [3]

  4. Título original: Mean Streets. Sinopsis: Nueva York, 1972. Charlie (Harvey Keitel) es un joven italoamericano de 27 años que trata de ascender en la mafia de Nueva York, pero dicho ascenso se ve obstaculizado por su sentimiento de ...Puedes ver Malas calles mediante Suscripción,Alquiler en las plataformas: Amazon Prime Video,Movistar Plus ...

  5. R. 1973, Crime/Drama, 1h 52m. 94% Tomatometer 77 Reviews. 84% Audience Score 50,000+ Ratings. What to know. Critics Consensus. Mean Streets is a powerful tale of urban sin and guilt that marks...

  6. Set in the insular Little Italy neighborhood of Scorsese’s youth, Mean Streets follows guilt-ridden small-time ringleader Charlie (Harvey Keitel) as he deals with the debts owed by his dangerously volatile best pal, Johnny Boy (Robert De Niro), and pressure from his headstrong girlfriend, Teresa (Amy Robinson).

  7. 31 de dic. de 2003 · Roger Ebert December 31, 2003. Tweet. Now streaming on: Powered by JustWatch. Martin Scorsese ’s “Mean Streets” is not primarily about punk gangsters at all, but about living in a state of sin. For Catholics raised before Vatican II, it has a resonance that it may lack for other audiences.

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