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RÉSUMÉ. Max Mathews, le père de la musique par ordinateur, nous a quitté brutalement le 21 avril dernier. Dès 1957, il a mis en œuvre l’enregistrement et la synthèse des sons par ordinateur, ouvrant l’ère du son numérique, qui a aidé bien des musiciens à réaliser leurs désirs musicaux. C’est à partir des programmes de ...
Max Mathews was a pioneering, central figure in computer music. After studying engineering at California Institute of Technology and the Massachusetts Institute of Technology in 1954 Mathews went on to develop ‘Music 1’ at Bell Labs; the first of the ‘Music’ family of computer audio programmes and the first widely used program for audio synthesis and composition.
Max Mathews Makes MUSICMax Mathews hooked up his violin to an IBM 704 computer in 1957 and fiddled into the history books. He probably was the first to capture and synthesize sound from a live instrument for a computer composition.Mathews joined Bell Labs in 1955 as an Acoustic Researcher. There he developed MUSIC, the synthesis program he demonstrated in 1957 with a 17-second composition.
Max Vernon Mathews naît le 13 novembre 1926, à Columbus, dans le Nebraska. Diplômé d'ingénierie électrique au California Institute of Technology en 1950, il obtient en 1954 son doctorat au Massachusetts Institute of Technology (M.I.T.). Grâce à son synthétiseur numérique Music I (1957), Max Mathews démontre qu'il est possible de ...
Max Mathews has conducted research on computer methods for speech processing, human speech production and auditory masking, and developed techniques for computer drawing of typography. He created the first computer singing, "Bicycle Built for Two," made famous by the Stanley Kubrick film '2001: A Space Odyssey' as the swan song of the dying computer H.A.L. 9000.
2 de feb. de 2014 · As head of Bell Labs' Acoustical and Behavioral Research Division from 1962 through 1985, Mathews continued to focus on synthesizing music with computers, and that research culminated in his ...
18 de may. de 2006 · Max Mathews page at CSounds.com, which contains extensive photos, documentation, and even software for the Radio Baton (unfortunately, several of those links appear to be broken) In contrast to Nintendo’s Wii remote, the Radio Baton uses very basic technology: FM transmitters in two batons coordinate X, Y, and Z position relative to a surface.
