1942
Resultado de búsqueda
Mary Sweeney (1 de enero de 1953) es una productora, directora, guionista y editora estadounidense, la cual colaboró durante 20 años junto al director de cine estadounidense David Lynch. Sweeney trabajó con Lynch en diversas películas y series de televisión, más notablemente en la serie original de Twin Peaks (1990), Lost Highway (1997 ...
Mary Sweeney is an American director, writer, film editor and film producer. She was briefly married to American film director David Lynch , whom she collaborated with for 20 years. Sweeney worked with Lynch on several films and television series, most notably the original Twin Peaks series (1990), Lost Highway (1997), The Straight ...
Mary Sweeney is a producer, editor, writer and director who has worked with David Lynch since Blue Velvet. She won a BAFTA for her editing of Mulholland Drive and wrote The Straight Story.
Overview. Born. January 1, 1953 · Madison, Wisconsin, USA. Mini Bio. Mary Sweeney is a feature film director, producer, writer, and editor. She has a long history of creative collaboration with David Lynch, beginning with Blue Velvet in 1986.
Mary Sweeny, also known by the first names Maria, Marie, Marion, Mollie, Margaret, Harriet, Anna, Annie or Kit, and by the last names Sweeney, Ricks, Rix, Kelley, Beece, O'Brien, Haley and Anderson, was an American woman known as "the Window Smasher" because of her mania for breaking glass windows across Wisconsin and neighbouring ...
15 de dic. de 2022 · Mary Sweeney, Winter 2023. “I have always had a hard time explaining my creative process to people,” says Mary Sweeney, a professor of screenwriting in the John Wells Division of Writing for Screen & Television at the School of Cinematic Arts at the University of Southern California.
4 de ago. de 2022 · Mary Sweeney is a film editor and co-writer who worked with David Lynch for two decades on projects such as Lost Highway, Mulholland Dr. and The Straight Story. In this interview, she discusses her creative process, her relationship with Lynch and the challenges of editing his films.
