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21 de jul. de 2011 · The inaugural installment comes courtesy of Mark Bliesener, a longtime Backbeat contributor, who has more than four decades of experience in the music business, from managing acts like Big Head ...
Mark Bliesener is an innovative and reliable consultant with more than 30 years of progressive, successful experience in all aspects of the music business. He is recognized as a hands on, proactive troubleshooter who can rapidly identify opportunities, formulate strategic plans, and implement new processes in challenging and diverse ...
14 de ene. de 2020 · Mark Bliesener – ‘Jurassic Mark’ (2019) January 14, 2020. Former Question Mark & the Mysterians member Mark Bliesener, who gave the Dead Kennedys their name, has just released a CD called Jurassic Mark in celebration of his seventieth birthday. “I was playing some stuff for a much younger guy, in his mid-twenties. He was going, ‘That’s cool.
23 de ene. de 2022 · Jan 23, 2022. 1. Share. Mark Bliesener is a fifty-year veteran of the music business who has received dozens of Gold and Platinum record awards from artists whose careers he has managed including Alan Parsons, Lyle Lovett, Big Head Todd and the Monsters and the Nitty Gritty Dirt Band.
Writer profile of Mark Bliesener. From Rock's Backpages: The ultimate library of rock music writing and journalism. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late 1950s to the present day. Read the best writing on rock music here.
17 de jul. de 2023 · Simon Warner. Jul 17, 2023. 6. Share. A musician and journalist, music business author and rock act manager, Mark Bliesener has been a Beat addict for many decades, expressing his interest in and loyalty to the movement with his Neal Cassady ‘Birthday Bash’, which he staged in Denver over several years.
How I named "the Dead Kennedys" . By Mark Bliesener, Westword, 21 Jul 2011. Part of Rock's Backpages, The ultimate library of rock music writing and journalism. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late 1950s to the present day.
