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Muldaur empezó su carrera en los primeros 60 como Maria D'Amato, actuando con John Sebastian, David Grisman, y Stefan Grossman como miembro de la Even Dozen Jug Band.Después se unió a la Jim Kweskin & the Jug Band como vocalista adicional y violinista ocasional.
Muldaur began her career in the early 1960s as Maria D'Amato, performing with John Sebastian, David Grisman, and Stefan Grossman as a member of the Even Dozen Jug Band. She then joined Jim Kweskin & the Jug Band as a featured vocalist and occasional fiddle player.
15 de ago. de 2019 · Jim Dickinson was a wonderful laid-back keyboard player from Mississippi that Ry Cooder brought to my very first Warner Bros. sessions back in '73!~ He brought that authentic down-home sound & vibe...
22 de ago. de 2023 · Maria Muldaur opens with Muldaur’s swaying, swinging New Orleans second line version of Jimmie Rodgers’ “Any Old Time”; the song features Ry Cooder on acoustic guitar, David Lindley on Hawaiian guitar, and Jim Dickinson on piano. Muldaur lights up the smoky piano lounge with seductive torch singing on her sensual “Midnight ...
1 de dic. de 2021 · maria muldaur has built her career on keeping the permanent and traditional joys of music up front in popular consciousness. INITIALLY TEAMING UP WITH GEOFF MULDAUR FOR A PAIR OF FOLKSY AMERICANA RELEASES IN THE LATE 1960S AND EARLY 70S, SHE HIT THE GROUND RUNNING WITH HER DEBUT EPONYMOUS SOLO ALBUM, WHICH INCLUDED A BUNCH OF HITS ...
Maria Muldaur is best known world-wide for her 1973 mega-hit “Midnight at the Oasis,” which received several Grammy nominations, and enshrined her forever in the hearts of Baby Boomers everywhere; but despite her considerable pop music success, her 60 year career could best be described as a long and adventurous odyssey through the various forms of American Roots Music.
Despite the contemporary material and modern production feel, Muldaur signals her commitment to the roots of American song by beginning each LP side with a “classic”: Jimmie Rodgers’ country-blues “Any Old Time,” first recorded in 1930, and Blue Lu Barker’s risqué “Don’t You Make Me High (Don’t You Feel My Leg),” from 1938. Video unavailable.
