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A romantic activist and proto-Marxist, Marat asserts man-made absolutes of value. Sade is a cold voluptuary who finds the root of social evil not in any collective community or system but in man ...
Peter Brook’s infamous filming of Peter Weiss’ MARAT/SADE is one of the screen’s great depictions of unfettered insanity, as well as a historical drama with definite contemporary relevance. About a play performed by maniacs under the direction of the notorious Marquis de Sade, it’s confrontational, provocative and stunningly filmed—in short, a classic.
12 de mar. de 2022 · V blázinci nedaleko Paříže jsou zavíráni nejen nemocní, ale taky společensky nepohodlní lidé, třeba provokatér markýz de Sade. Ten zde se skupinou pacientů inscenuje hru o vraždě revolučního vůdce Marata a divadlo bláznů pod dozorem sester a zřízenců se stane vzrušující zábavou pro pařížskou smetánku.
Marat/Sade. The problem of bringing a play to the screen has been approached in many ways, often disastrously, but it is hard to recall a film that solves it so triumphantly as Peter Brook's "Marat/ Sade." Here was a vexing and difficult play, lacking entirely in the conventional kind of plot and suspense. Because of its peculiar structure, it ...
In an insane asylum, Marquis de Sade directs Jean Paul Marat's last days through a theater play. The actors are the patients. July 13, 1808 at the Charenton Insane Asylum just outside Paris. The inmates of the asylum are mounting their latest theatrical production, written and produced by who is probably the most famous inmate of the facility ...
Marat ~ Sade es el título abreviado de una de las obras cúlmenes del teatro europeo del siglo XX. La Sala Fernando Arrabal de la Naves del Español se convierte, durante unas semanas, en una gran casa de salud mental donde un grupo de pacientes/actores representan parajes acerca de un tiempo posterior a la revolución francesa.
21 de oct. de 2011 · Marat/Sade – review. T he Sixties are back with a vengeance. After Bond's Saved and Osborne's Inadmissible Evidence we now have an RSC revival of Peter Weiss's 1964 dialectical drama forever ...
