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15 de abr. de 2024 · Luchino Visconti (born Nov. 2, 1906, Milan—died March 17, 1976, Rome) was an Italian motion-picture director whose realistic treatment of individuals caught in the conflicts of modern society contributed significantly to the post-World War II revolution in Italian filmmaking and earned him the title of father of Neorealism.He also established himself as an innovative theatrical and opera ...
Luchino Visconti di Modrone, conte di Lonate Pozzolo, noto semplicemente come Luchino Visconti (Milano, 2 novembre 1906 – Roma, 17 marzo 1976), è stato un regista, sceneggiatore, scenografo e partigiano italiano.. Per la sua attività di regista cinematografico e teatrale e per le sue sceneggiature, è considerato uno dei più importanti artisti e uomini di cultura del XX secolo.
27 de jun. de 2018 · d. 17 March, 1976, Rome, Lazio, Italy. Count don Luchino Visconti di Modrone was born to a life of respectability, authority, and affluence. This noble upbringing, and what it could afford, had an undeniable, everlasting impact on his life and career. His early exposure to art, literature, music, theatre, and, perhaps most of all, opera, befit ...
Luchino Visconti (1906 - 1976) fue un director y guionista de Italia conocido por Muerte en Venecia, El gatopardo, Rocco y sus hermanos, La caída de los dioses, Noches blancas, Confidencias, El inocente, La tierra tiembla, Senso y Luis II de Baviera (El rey loco)
Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism. This triangulation of monuments would create an equally titanic filmmaker whose work remained stylistically sui ...
Luchino Visconti: Directed by Carlo Lizzani. With Björn Andrésen, Laura Antonelli, Tina Apicella, Helmut Berger. Actors who worked with and knew Luchino Visconti are interviewed about his life.
Luchino Visconti fue el hombre de las grandes contradicciones. El aristócrata marxista, tan mujeriego como homosexual, recoge las preocupaciones sociales del Neorrealismo, movimiento del que es uno de los representantes más ilustres, pero se desmarca del estilo cercano al documental de los demás realizadores mostrando una enorme preocupación por la estética y la belleza de sus imágenes.
