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  1. 9 de may. de 2024 · She left Maine to make a name for herself, though the art world dismissed women. Two exhibitions in her home state welcome her back. By Murray Whyte Globe Staff,Updated May 9, 2024, 1 hour ago. A...

  2. 12 de may. de 2024 · Louise Nevelson made highly identifiable monochrome wooden assemblages and wielded a larger-than-life personality, meaning the younger Nevelsons task is not only to preserve the work, but...

  3. www.getinterwoven.com › insight › design-history-series-n-015-louise-nevelsonDesign History Series N. 015 - Interwoven

    13 de may. de 2024 · 5 min. By Meghan Day. Louise Nevelson and Shadows and Flags. In our new Design History Series we highlight iconic women in design history and their innovative work. The historic contributions of women to design are many, and we aim to increase the awareness of these contributions in order to counteract a general trend of underrepresentation.

  4. 30 de abr. de 2024 · By Hilarie M. Sheets. Reporting from Princeton, N.J. Published April 30, 2024 Updated May 1, 2024. Princeton University has a long history of commissioning public art by the likes of Henry Moore,...

  5. 12 de may. de 2024 · that’s how it is with so many nevelson sculptures; her best-known works are suggestive but elusive monuments to her seductive formal logic. she once called herself an “architect of shadow,” and i can do no better that that. pieces like “night-focus-dawn,” 1969, carve crisp lines that reorder darkness and light into visual ...

  6. 13 de may. de 2024 · I spoke with three such women about what it takes to build or maintain an artist’s relevance in the eyes of the public: Marisa de Lempicka, who runs her great-grandmother Tamara de Lempicka’s estate; Maria Nevelson, in charge of the foundation of her grandmother Louise Nevelson; and Rosina Rubin, who founded Atelier Anna Walinska ...

  7. Hace 5 días · Una galería completa estará dedicada a su rara serie de ensamblajes de los años 70 llamada I Ching. Louise Nevelson presentó a Dehner a John Cage, cuyos sonidos y teorías influyeron en este cuerpo de trabajo. «Sin título (I Ching)» tiene una sensación totémica, hecha de finas piezas de madera colocadas juntas en patrones rítmicos.

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