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  1. 25 de jul. de 2018 · Cole’s early life was tough, though she doesn’t like to talk about it. Her mother struggled with a rare genetic tissues disorder that required many operations. Young Lily was farmed out to ...

  2. 12 de ene. de 2018 · Lily Cole is a renaissance woman. The former model has one of fashion’s most unique careers—from acting in films like Star Wars: The Last Jedi to branching into tech entrepreneurship with her ...

  3. 30 de jul. de 2018 · Lily Cole On Her Moving Directorial Debut: "This Is Our History, And It Is Real". The supermodel and activist's first film, Balls, is a modern-day tale about the indomitable nature of the female spirit. Here, she tells Vogue about the inspiration behind her work. As a mother I couldn’t imagine anything worse than having to give away my child ...

  4. 9 de dic. de 2022 · Tricia is an American activist and performance artist who has a practice called The Nap Ministry. Her whole philosophy is based on resting and resisting what she calls grind culture, which she ...

  5. Lily Cole. Actress: Snow White and the Huntsman. Lily began working as an actress when she was 6 years old, then returned to film when she was 16 in Marilyn Manson's adaptation of Alice in Wonderland. In 2009 she played the female lead in Terry Gilliam's The Imaginarium of Dr Parnassus. Since then she has made over fifteen films with esteemed directors including Sally Potter, Shekhar Kapur ...

  6. Lily Luahana Cole (* 27. Dezember 1987 in Torquay, England) ist ein britisches Model. Cole hat auch als Schauspielerin Bekanntheit erlangt, so übernahm sie 2008 die weibliche Hauptrolle in Terry Gilliams Film Das Kabinett des Doktor Parnassus Leben Cole 2006 auf der London Fashion Week ...

  7. Lily in conversation with Joshua Oppenheimer about Balls. The film director Joshua Oppenheimer (Oscar nominated for his documentaries about the Indonesian genocide: The Act of Killing and The Look of Silence) spoke with Cole about how the historical narrative of Balls speaks to our contemporary politics, the limits on collective empathy, and the power of film to change the stories by which we ...

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